Nadine Ijewere
Divine, 2023
Signed, inscribed with title, numbered and dated on artist's label
"I find beauty in all its facets. My work is about showcasing different forms of beauty that I believe our society could do a better job of representing."
– Nadine Ijewere
Available Works
Nadine Ijewere
Divine, 2023
Nadine Ijewere
In the Lagoon, Portland, 2022
Nadine Ijewere
Sisterhood in Sand, 2019
Nadine Ijewere
Stillness & Palms, Dominican Republic, 2019
Nadine Ijewere
Anok, Port Antonio, Jamaica, 2020
Nadine Ijewere
Fisherman’s Cove, Jamaica, 2020
Nadine Ijewere
Senegalese Fisherman, Senegal, 2023
Nadine Ijewere
Heritage, Senegal, 2021
Nadine Ijewere
Anok in Portland, 2023
Nadine Ijewere
Ibrahim, 2021
Nadine Ijewere
Girl in Pink, Dominican Republic, 2019
Nadine Ijewere
Girl in a Top Hat, 2020
Ijewere’s focus on tonality and the tactile is complimented by a practice that maintains a painterly focus on abstraction through form and patternation. Ijewere uses these tools to further dissolve the boundaries between photographic genres, using the tactile qualities of textile and setting to playfully world-build.
Ijewere (born 1992) studied photography at the London College of Fashion. In 2019 she was the first woman of colour to shoot the cover of British Vogue. She accomplished the same achievement for American Vogue in 2021. Ijewere’s work has been featured in the group exhibitions The Tate Britain Generation exhibition in 2016, and The New Black Vanguard: Photography Between Art and Fashion at Saatchi Gallery, London, in 2022. Her first solo exhibition, Beautiful Disruption, was held at C/O Berlin in 2021. She received the Infinity Award from the International Center of Photography in 2020 and in 2022 she was awarded the Royal Photographic Society’s Award for Editorial, Advertising and Fashion Photography. Her first monograph, Our Own Selves, was published in 2021 by Prestel Publishing.