Daniel Gordon

b. 1980
United States

"The distinction between abstraction and representation is not so important to me. I am more interested in trying to make convincing pictures, and for me, a big part a photograph’s quality has to do with its inner conflict, or the conflict it creates."

– Daniel Gordon

Available Works

Light Study (Carafe with Glassware and Knife)

Daniel Gordon

Light Study (Carafe with Glassware and Knife), 2025

Archival pigment print
Signed and dated on reverse
Light Study (Three Glasses and Two Forks)

Daniel Gordon

Light Study (Three Glasses and Two Forks), 2025

Archival pigment print
Signed and dated on reverse
Caladium with Glass Vessels and Artichokes

Daniel Gordon

Caladium with Glass Vessels and Artichokes, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Artichokes and Succulents

Daniel Gordon

Artichokes and Succulents, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Artichokes and Peonies with Green Pitcher

Daniel Gordon

Artichokes and Peonies with Green Pitcher, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Lobster and Fern with Green Artichoke

Daniel Gordon

Lobster and Fern with Green Artichoke, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Ponytail Palm and Pitcher

Daniel Gordon

Ponytail Palm and Pitcher, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Onions and Artichokes

Daniel Gordon

Onions and Artichokes, 2023

Archival pigment print with UV lamination
Signed and dated on reverse
Blue Apples and Houseplant

Daniel Gordon

Blue Apples and Houseplant, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Two Peaches and Three Vessels

Daniel Gordon

Two Peaches and Three Vessels, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Two Peaches and Three Vessels

Daniel Gordon

Two Peaches and Three Vessels, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Green Jade and Roses

Daniel Gordon

Green Jade and Roses, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Apples and Watermelon in Green

Daniel Gordon

Apples and Watermelon in Green, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Portrait in Green

Daniel Gordon

Portrait in Green, 2022

Archival pigment print with UV lamination
Signed and dated on reverse
Peonies and Pomegranate

Daniel Gordon

Peonies and Pomegranate, 2020

Archival pigment print with UV lamination
Signed and dated on reverse
Olives and Pitcher with Fern and Palm Leaves

Daniel Gordon

Olives and Pitcher with Fern and Palm Leaves, 2020

Archival pigment print with UV lamination
Signed and dated on reverse

Biography

Daniel Gordon’s inventive approach to contemporary photography reinvigorates the still life genre. Through a prolonged process, Gordon creates colourful tableaux that consider objecthood and the proliferation of imagery in our digitalised cultures.

Moving between two and three-dimensions, Daniel Gordon’s practice appropriates images of still-life subjects he finds on the Internet. Printing the images on paper before cutting them out, he then assembles a three-dimensional tableau in the studio which is subsequently photographed, linking handmade and digital-based processes and materials. Gordon’s work transforms the quotidian: tennis rackets and trainers hint at the routine of exercise, and are paired with other accoutrements of daily life including batteries and cutlery. Gordon converts his downloaded imagery from immaterial data to material objects and back again. In doing so, his work points to the proliferation of imagery and photographic representation and suggests that these have become symbiotic with, rather than symbolic of, the physical world.

Daniel Gordon was born in Boston, Massachusetts in 1980. He received a BA from Bard College, New York in 2003 before graduating with an MFA from Yale University in 2006. Gordon’s work has been published in numerous monographs and he has been exhibited internationally in major art institutions, such as the Museum of Modern Art, New York and the J. Paul Getty Museum, Los Angeles. His work is held in the permanent collections of the Solomon R. Guggenheim Museum, New York, Pier 24, San Francisco and Foam Museum, Amsterdam among others.

Gordon lives and works in Brooklyn, New York.

Film: Daniel Gordon Introduces ‘Green Apples and Boots’

Journal

Daniel Gordon: Instability and Illusion

In Depth

Daniel Gordon: Instability and Illusion

Imitation and Reality: ‘Still Life with Tennis Balls and Racket’

In Focus

Imitation and Reality: ‘Still Life with Tennis Balls and Racket’

Daniel Gordon: ‘Summer Still Life’

In Focus

Daniel Gordon: ‘Summer Still Life’

Daniel Gordon: ‘Sicilian Still Life’

In Focus

Daniel Gordon: ‘Sicilian Still Life’

Exhibitions

Green Apples and Boots

March 30 – April 30, 2021

Green Apples and Boots